Six years after Timothy Dalton’s mould po-faced junket as 007, Brosnan takes over the role which Sean Connery once said was ‘as difficult as Hamlet’. There’s also a budding Young woman Moneypenny (Bond), a new M (Dench) and a changed post-Communist world order. This Bond has been ruthlessly updated for ’90s Russia: only scene takes place in a breaker’s yard full of redundant Soviet statues. There’s also an venture to add depth to his hieroglyph by introducing pure dilemmas - should he surrender, or let agent 006 (Bean) die? - and a hint of inner battle. Thankfully, some things stay the same: Llewelyn makes his 15th advent as Q, and there’s another baddy who wants to inflict damage on the world, by poaching and controlling the ‘GoldenEye’ sidekick activator, which disables everything electronic from outer align. Brosnan is most relaxed fighting, escaping or making the odd wisecrack; in the more musing scenes, outstandingly with impressive love interest Natalya (Scorupco), he seems lost. Commander Campbell keeps matters bowling along and even manages to recapture something of the look of the earlier films.
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